France d'Europe Pétrole en gros Peignant, le Cadre d'Image, Mouler, le Miroir, les Barres de Civière

 
 

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Jaime Huguet

1415-1492 French Jaime Huguet Galleries

ID de tableau::  2261
Last Supper
Durer le Souper
Museo de Arte de Cataluna, Barcelona
Le musée d-Art de Cataluna, Barcelone
1415-1492 French Jaime Huguet Galleries

   
 

 

 
   
      

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Hugo van der Goes

1440-1482 Flemish Hugo van der Goes Galleries

ID de tableau::  10057
Last Supper
Durer le Souper
1470 Wood,172x164cm Museum Nacional d'Art de Catalunya Barcelona
1470 Wood,172x164cm Nacional de Musée d-art de Catalunya Barcelone
1440-1482 Flemish Hugo van der Goes Galleries

   
 

 

 
   
      

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Duccio di Buoninsegna

1255-1318 Italian Duccio di Buoninsegna Locations

ID de tableau::  30390
Last Supper
Durer le Souper
mk68 Tempera on wood Siena Opera del Duomo Museum
mk68 Détrempe sur le Musée de Duomo de del d~Opéra deSiena de bois
1255-1318 Italian Duccio di Buoninsegna Locations

   
 

 

 
   
      

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Pietro Lorenzetti

Italian Byzantine Style Painter, ca.1280-1348

ID de tableau::  30394
Last Supper
Durer le Souper
mk68 Fresco 8x10 Assisi Church of San Francesco
l~Eglise d~Assise de 8x10 de Fresque de mk68 de San Francesco
Italian Byzantine Style Painter, ca.1280-1348

   
 

 

 
   
      

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Andrea del Castagno

Italian c1421-1457 Andrea del Castagno Location

ID de tableau::  30416
Last Supper
Durer le Souper
mk68 Fresco,width of wall Florence Convent of Sant'Apollonia 1447 ltaly
mk68 Fresque, la largeur de Couvent de Florence de mur de Sant~Apollonia 1447 ltaly
Italian c1421-1457 Andrea del Castagno Location

   
 

 

 
   
      

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LEONARDO da Vinci

Italian High Renaissance Painter and Inventor, 1452-1519

ID de tableau::  30446
Last Supper
Durer le Souper
mk68 Tempera 13'9x29'10" Milan,Convent of Santa Maria delle Grazie
mk68 Détrempe 13~9x29~10 Milan, le Couvent de Grazie de delle de Maria de Santa
Italian High Renaissance Painter and Inventor, 1452-1519

   
 

 

 
   
      


ID de tableau::  30530
Last Supper
Durer le Souper
mk68 Oil on canvas 12'x8'7" Venice Church of San Giorgio Maggiore 1592-1594 Italy
mk68 Pétrole sur l~Eglise de Vénise de 12~x8~7 de canevas de San Giorgio Maggiore1592-1594 Italie
1518-1594

   
 

 

 
   
      

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Joan de Joanes

Spanish Painter 1507-1579

ID de tableau::  32868
Last Supper
Durer le Souper
mk84 ca.1560 Madrid, Prado Panel 116x119cm
mk84 Californie. 1560 Madrid, le Panneau de Prado 116x119cm
Spanish Painter 1507-1579

   
 

 

 
   
      

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Alonso Vazquez

Spanish ?-1608

ID de tableau::  32884
Last Supper
Durer le Souper
mk84 1588-1603 Seville,Museo de Bellas Artes
mk84 1588-1603 Séville, Museo des Arts de Bellas
Spanish ?-1608

   
 

 

 
   
      

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GHIRLANDAIO, Domenico

Italian Early Renaissance Painter, 1449-1494

ID de tableau::  33394
Last Supper
Durer le Souper
mk86 1480 Fresco,total width 812cm Florence,Convent of San Marco.Refectory
mk86 1480 Fresque, la largeur totale 812 cm Florence, le Couvent de Marco.Réfectoire de San
Italian Early Renaissance Painter, 1449-1494

   
 

 

 
   
      

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Dieric Bouts

1420-1475 Flemish Dieric Bouts Locations

ID de tableau::  33434
Last Supper
Durer le Souper
mk86 1464-1467 Tempera on wood 180x150cm Louvain,Sankt Peter
mk86 1464-1467 Détrempe sur le bois 180x150cm Louvain, Sankt Peter
1420-1475 Flemish Dieric Bouts Locations

   
 

 

 
   
      

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Jaume Huguet

Spanish Early Renaissance Painter, C.1415-1492

ID de tableau::  33442
Last Supper
Durer le Souper
mk86 after1450 Tempera on wood 162x170cm Barcelona,Museu d'Art de Catalunya
mk86 after1450 Détrempe sur le bois 162x170cm Barcelone, Museu d~art de Catalunya
Spanish Early Renaissance Painter, C.1415-1492

   
 

 

 
   
      


ID de tableau::  33467
Last Supper
Durer le Souper
mk86 1495-1498 Oil tempera on plaster 460x880cm Milan,Santa Maria delle Grazie, Refectory
mk86 1495-1498 détrempe de Pétrole sur le plâtre 460x880cm Milan, Grazie de delle de Maria de Santa, le Réfectoire

   
 

 

 
   
      

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LEONARDO da Vinci

Italian High Renaissance Painter and Inventor, 1452-1519

ID de tableau::  38513
Last Supper
Durer le Souper
mk137 1495-1498 oil and Tempera on stone 460x880cm Santa Maria della grace Milan
mk137 1495-1498 pétroleet la Détrempe sur le della de Maria de Santa de 460x880cm de pierre Milan de grâce
Italian High Renaissance Painter and Inventor, 1452-1519

   
 

 

 
   
      


ID de tableau::  41184
Last Supper
Durer le Souper
mk157 1592-94 Oil on canvas 365x568cm
mk157 1592-94 Huilent sur le canevas365x568cm
1518-1594

   
 

 

 
   
      

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Francisco Goya

1746-1828

ID de tableau::  50702
Last Supper
mk214 c.1796-7 Oil on canvas 146x340cm
1746-1828

   
 

 

 
   
      

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Andrea del Sarto

b.July 16, 1486, Florence d.Sept. 28, 1530, Florence Italian Andrea del Sarto Galleries

ID de tableau::  53234
Last supper
mk228 Oil on canvas
b.July 16, 1486, Florence d.Sept. 28, 1530, Florence Italian Andrea del Sarto Galleries

   
 

 

 
   
      

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Simon Ushakov

1626 - 1686) was a leading Russian graphic artist of the late 17th-century. Together with Fyodor Zubov and Fyodor Rozhnov, he is associated with the comprehensive reform of the Russian Orthodox Church undertaken by Patriarch Nikon. We know almost nothing about the early years of Simon Ushakov. His birth date is deduced from his inscription on one of the icons: In the year 7166 painted this icon Simon Ushakov son, being 32 years of age. At 22 he became a paid artist of the Silver Chamber, affiliated with the Armory Prikaz. The bright, fresh colours and exquisite, curving lines of his proto-baroque icons caught the eye of Patriarch Nikon, who introduced Simon to the tsar Alexei Mikhailovich. He became a great favourite with the royal family and was eventually (1664) assigned to the Kremlin Armoury, run by an educated boyar Bogdan Khitrovo.

ID de tableau::  61241
Last Supper
Last Supper 1685
1626 - 1686) was a leading Russian graphic artist of the late 17th-century. Together with Fyodor Zubov and Fyodor Rozhnov, he is associated with the comprehensive reform of the Russian Orthodox Church undertaken by Patriarch Nikon. We know almost nothing about the early years of Simon Ushakov. His birth date is deduced from his inscription on one of the icons: In the year 7166 painted this icon Simon Ushakov son, being 32 years of age. At 22 he became a paid artist of the Silver Chamber, affiliated with the Armory Prikaz. The bright, fresh colours and exquisite, curving lines of his proto-baroque icons caught the eye of Patriarch Nikon, who introduced Simon to the tsar Alexei Mikhailovich. He became a great favourite with the royal family and was eventually (1664) assigned to the Kremlin Armoury, run by an educated boyar Bogdan Khitrovo.

   
 

 

 
   
      

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BERRUGUETE, Alonso

Spanish Mannerist Painter and Sculptor, ca.1488-1561

ID de tableau::  62313
Last Supper
1588-1603 Oil on canvas Museo de Bellas Artes, Seville In addition to Italian influences, the impact of northern painters, such as Marten de Vos and Maerten van Heemskerck, on painters in Seville at the end of the 16th century was important. The resulting hybrid of Italian and Flemish elements became the dominant mode of expression until well into the seventeenth century and is first observable in the work of Alonso V?zquez, who worked in Seville from 1588 until his departure for Mexico in 1603. His Last Supper, painted for the Carthusians of Santa Maria de las Cuevas, is a pastiche of poses and motifs borrowed from prints by or after Heemskerck, de Vos and Cornelis Cort. In fact the stylistic correspondence to the paintings by these northern late Mannerists is close enough to suggest that V?zquez had been able to study their works, perhaps in the collections of the resident Flemish community
Spanish Mannerist Painter and Sculptor, ca.1488-1561

   
 

 

 
   
      


ID de tableau::  69067
last supper
milan, brera. 230x523cm se

   
 

 

 
   
      

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Pieter Pourbus

(1523 - 30 January 1584) was a Dutch-born Flemish Renaissance painter. Remi Ommejaghere and his three sons Onze-Lieve-Vrouwekerk, Bruges, BelgiumPourbus was born in Gouda. He was known primarily for his religious and portrait painting and worked mainly in Bruges, where he had moved from Gouda by 1543. He died in Bruges. His son was the painter Frans Pourbus the Elder and his grandson was Frans Pourbus the younger

ID de tableau::  85249
Last Supper
Date 1548(1548) Medium Oil on oak panel Dimensions Height: 46.5 cm (18.3 in). Width: 63 cm (24.8 in). cjr
(1523 - 30 January 1584) was a Dutch-born Flemish Renaissance painter. Remi Ommejaghere and his three sons Onze-Lieve-Vrouwekerk, Bruges, BelgiumPourbus was born in Gouda. He was known primarily for his religious and portrait painting and worked mainly in Bruges, where he had moved from Gouda by 1543. He died in Bruges. His son was the painter Frans Pourbus the Elder and his grandson was Frans Pourbus the younger

   
 

 

 
   
      

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Lucas Cranach the Younger

(October 4, 1515 ?C January 25, 1586) was a German Renaissance artist, known for his woodcuts and paintings. He was a son of Lucas Cranach the Elder who began his career as an apprentice in his father's workshop. Henceforth, his own reputation and fame grew. After his father's death, he assumed control over the workshop. The style of their paintings can be so similar that there have been some difficulties in attribution of their works.

ID de tableau::  94780
Last Supper
Das Abendmahl 1565 cyf
(October 4, 1515 ?C January 25, 1586) was a German Renaissance artist, known for his woodcuts and paintings. He was a son of Lucas Cranach the Elder who began his career as an apprentice in his father's workshop. Henceforth, his own reputation and fame grew. After his father's death, he assumed control over the workshop. The style of their paintings can be so similar that there have been some difficulties in attribution of their works.

   
 

 

 
   
      

Lucas Cranach the Younger
(October 4, 1515 ?C January 25, 1586) was a German Renaissance artist, known for his woodcuts and paintings. He was a son of Lucas Cranach the Elder who began his career as an apprentice in his father's workshop. Henceforth, his own reputation and fame grew. After his father's death, he assumed control over the workshop. The style of their paintings can be so similar that there have been some difficulties in attribution of their works.
Last Supper

        
 
   
 

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